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Day: May 26, 2024

Junkyard Gem: 2007 Audi S8


If you want to find examples of punitive automotive depreciation, look no further than the European luxury sedans in your local Ewe Pullet car graveyard. How about a Mercedes-Benz S600, which sold new for an inflation-adjusted $282,544? Or a BMW 745i and its $114,895 price tag in today’s money? Big, powerful Audi sedans face the Depreciation Grim Reaper as well, and today’s Junkyard Gem was the one of the most expensive 2007 models Americans could buy with the logo representing Audi, DKW, Horch and Wanderer on its snout.

The 2007 Audi S8 started at $92,000 (the example that awed our reviewer was a fully loaded model that listed at $110,920), which comes to about $141,958 in 2024 dollars. The A8 W12 for 2007 cost even more, but it wasn’t as evil-looking as the S8.

This car, currently residing at the Denver Pick Your Part, is only the second discarded S8 I’ve documented, after a 2001 model in a North Carolina yard. Ordinary A8s are much easier to find in junkyards, of course, as are examples of its Audi V8 predecessor.

Under the hood is a wild Lamborghini-sourced DOHC V10 engine, rated at 450 horsepower and 398 pound-feet and connected to all four wheels via a six-speed automatic transmission.

This car was governed to 155 mph and could run mid-13-second quarter-miles (about the same as the small-block-powered ’65 Chevy Impala sedan I was driving a few years earlier).

It still has the proprietary cable that allowed you to connect your iPod to the audio system.

This car has the optional Ban & Olufsen sound system, which pushed the price tag past the six-figure threshold (in 2007 dollars).

Why is such an amazing machine in a place like this? Well, you can’t skimp on the maintenance in a car with this much technological wizardry inside, and A8/S8 repair costs often look unfavorable when balanced against the resale value at age 14.

The keys were still with this car when it arrived here, so we can assume that it needed a fix that cost more than its current real-world value.

You’ll find one in every car. You’ll see.

The music in this dealer promo video is appropriately oonsk-oonsky for the Autobahn.

Vorsprung durch Technik.



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Junkyard Gem: 2005 Honda Accord, Hello Kitty Edition


When you’re a young city-dweller and your car is a generic 20-year-old sedan with the base engine, what do you do? You personalize it, of course, and that’s what the final owner of this Accord LX did. An unfortunate rear-end collision sent this car to a Denver car graveyard, giving us an illustrative snapshot of a place and time in popular automotive culture.

This car began life as one of the more than 350,000 Honda Accords sold in the United States for the 2005 model year. It’s a dime-a-dozen mid-level DX four-door with the base 2.4-liter four-cylinder engine delivering 160 horsepower.

It has air conditioning, a CD player with AUX input jack (a fairly rare feature in cars built before the late 2000s), an automatic transmission and a large helping of that legendary Accord reliability.

All in all, a very sensible car. But where’s the fun?

So, a shopping spree including pink spray paint, aftermarket accessories and many decals followed.

A not-so-fast but reasonably furious wing was bolted to the decklid.

When you’re a member of the Slow Car Club, you can be proud that your Accord doesn’t have the 255-horse V6 under its hood.

Inside, all the seats feature Hello Kitty seat covers.

Because genuine Hello Kitty wheels are very expensive, this car has regular 15-inch steelies painted pink.

Because all is not sweetness and cuddles in the Hello Kitty universe, there are spike lug nuts.

But did you die?

Break parts, not hearts.

One might apply this sentiment to the driver who crashed into this Accord and sent it to the junkyard.

It’s worth fixing a three-year-old Accord when this happens, but not so much with a 19-year-old Accord.

When you own a McMansion like this one, you require the low depreciation of the 2005 Accord LX.



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Junkyard Gem: 1986 Chevrolet Celebrity Wagon


The beginning of the end for station wagons arrived as the second half of the 1980s dawned, thanks to Chrysler’s introduction of its game-changing minivans and AMC’s introduction of the even more influential XJ Jeep Cherokee (both as 1984 models), but few noticed at first. At that time, GM’s Chevrolet Division still offered wagons in three different sizes: the Cavalier, Celebrity and Caprice Classic; today’s Junkyard Gem is an example of the middle type, found in a Denver self-service yard recently.

The Celebrity was based on GM’s front-wheel-drive A Platform, which was derived from the X Platform that underpinned the Chevrolet Citation and its kin. It was built from the 1982 through 1990 model years and was a huge success with well over 2 million sold. The Celebrity has all but disappeared from streets and car graveyards by now, so this is a rare opportunity to follow up the base-model ’87 Celebrity sedan we saw a few years ago with a loaded longroof version.

The Celebrity’s near-identical siblings were the Buick Century, Oldsmobile Cutlass Ciera/Cruiser and Pontiac 6000.

I have some personal and not-so-pleasant family experience with the Celebrity. My parents were patriotic Midwesterners who chose Detroit machinery (with a couple of notable exceptions) to drive from the time I was brought home from the hospital in a 1956 Olds 88 after my birth until I was off at college during the middle 1980s. They’d had an unpleasant experience with a 1979 Ford Granada, writing it off to simple bad luck, but then my dad decided to trade in his 1978 Pontiac Bonneville on a new Chevrolet Celebrity Eurosport sedan (above is the only surviving photo of that car, shot past the snout of my now-legendary 1965 Impala sedan). That car was an across-the-board lemon, failing repeatedly under warranty and then even more repeatedly later on, and it drove my parents into the waiting arms of Toyota and Mazda, from which they never returned to Detroit iron.

That said, my family’s Celebrity experience wasn’t universal, and there are still devoted Celebrity enthusiasts to this day. That becomes relevant when telling the tale of today’s Junkyard Gem, because it will lead us to a heartwarming junkyard happy ending.

This car’s interior was just beautiful, leading me to believe that the 43,977 miles showing on its five-digit odometer represented the actual mileage. What a waste of nice interior parts, I thought, but then I remembered that I knew a Celebrity wagon owner!

Yes, the same married couple of Denver-area 24 Hours of Lemons racers who compete with a Chevy Vega and bought a 1990 Dodge Omni for their 16-year-old (because it’s a cool old car that, amazingly, came with a peace-of-mind-providing driver’s-side airbag) picked up a Celebrity station wagon to drive in the Route 66 Lemons Rally last month. Since my tip about a junked 1988 Plymouth Horizon led them to a bonanza of Omni parts, I let them know about the super-clean Celebrity in a nearby boneyard.

As it turned out, they had too many weird hoopties in their stable and had just sold their rally Celebrity to an enthusiast in Iowa who owns several nicely restored Celebrities. He would be flying out to Denver to pick up his wagon and was elated to learn of a nearly-impossible-to-find parts donor in a Mile High junkyard.

After picking up his new ride, he drove the 10 minutes over to U-Pull-&-Pay and harvested all these Celebrity goodies to take home.

As an added bonus, he found the original build sheet under the rear seat and sent a photo. Look at all those expensive options!

As the build sheet states, this car was built at the Oklahoma City plant and then sold new at Osborn Chevrolet on South Havana Street in Aurora (now Celebration Chevrolet at the same location). You can get incredible Korean food in that neighborhood today, by the way.

The base engine in the Celebrity was the 2.5-liter Iron Duke four-cylinder, but this car has the optional high-output 2.8-liter V6 and its 125 horses/160 pound-feet. A 4.3-liter diesel V6 (which was an Oldsmobile design not related to the Chevrolet 4.3-liter V6) was available for the 1985 through 1986 model years, but had been dropped by the time this car was built.

The HO 2.8 got multi-port fuel injection, while the ordinary 112hp 2.8 had a two-barrel carburetor.

For 1986, Celebrity buyers could get a four-on-the-floor manual transmission as base equipment with cars built with Iron Duke or carbureted 2.8 engines (almost none did), but the HO 2.8 cars got this four-speed automatic. Just to confuse matters, the Iron Duked ’86 Celebrity could be purchased with a three-speed automatic.

This AM/FM/cassette radio with auto-reverse and Dolby noise reduction is serious audio hardware for a low-priced American car of the middle 1980s. Celebrity buyers for 1986 got nothing as standard audio equipment, as in the only tunes you’d get in the car were the ones you sang yourself; this unit (which was the second-to-the-top radio option for the 1986 Celebrity) cost a cool $319, or about $909 in 2024 dollars. You really needed it, however, if you wanted to do justice to the hits of the era.

Junkyard employees generally don’t have time to futz with malfunctioning GM hood latches when it comes time to yank the battery and drain all the fluids, so they’ll take this kind of drastic prybar action to open a hood quickly. That’s a shame, because this car’s body was in good shape when it arrived here.

Interestingly for a Detroit wagon with so many options, this one doesn’t seem to have the rear-facing “wayback” seat.

It will be crushed soon, but at least many of its parts went to a good home.

The Celebrity sedan was replaced by the Lumina, with the Lumina APV minivan taking over midsize family-hauling duties. The very last new Chevrolet station wagon available in the United States was the longroof version of the 1996 Caprice.

Drive today’s Chevy. Live today’s Chevy.

The roomiest front-drive wagons in America.





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Junkyard Gem: 2014 Chevrolet Impala Limited


What does a car company do when it introduces a completely revised new generation of a vehicle even while fleet sales of its predecessor remain strong? In the case of 21st-century General Motors, you keep making both versions. That’s what GM did when the tenth-generation Chevrolet Impala had its debut as a 2014 model, continuing to build the ninth-generation Impala for fleet-only sales through 2016 and calling it the Impala Limited. Here’s one of those not-so-rare-but-still-interesting machines, found in a Colorado car graveyard recently.

This 2016 Chevrolet police-vehicle brochure photograph shows the Impala Limited on the left and the regular Impala on the right. The steel wheels on the Limited look better than alloys on a cop car, in my opinion.

The tenth-generation Impala had moved from the aging W Platform to the global Epsilon II platform, making it a sibling to such machines as the Opel Insignia and Saab 9-5. It was built for the 2016 through 2020 model years, making it the final Impala. That was quite a run for a model dating back to 1958.

This car is a good old W-Body, a chassis design dating back to the 1988 Buick Regal, Pontiac Grand Prix and Oldsmobile Cutlass Supreme.

That meant that the 2014-2016 Impala Limited was a bit shorter and much less roomy inside than the Epsilon-based 2014-2020 Impalas, but so what? Fleet mechanics had been working on W-Bodies for many years and knew them well, plus there was plenty of production capacity available.

GM had taken a similar route with the Chevrolet Classic a decade earlier; the Malibu moved over to the Epsilon platform for 2004 (making it sibling to the Saab 9-3 and Saturn Aura), while the N-Body version remained in production for fleet-only sales through 2006.

The engine in this car is a 3.6-liter High Feature DOHC V6 with variable valve timing, rated at an impressive 302 horsepower and 262 pound-feet. These cars were quick thanks to their curb weight of just over 3,600 pounds.

The only transmission available was a six-speed automatic. In fact, the final model year for a manual transmission in a U.S.-market production Impala was 1973 (when a three-speed column-shift manual was base equipment on six-cylinder cars).

I was traveling and renting cars all over the country during the Impala Limited’s heyday, in my role as wise and respected Chief Justice of the 24 Hours of Lemons Supreme Court, and every Lemons staffer preferred the ninth-generation Impala to all other rental options during the 2006-2016 period. Even when poorly maintained, these cars always run pretty well, plus they came with decent audio systems and plenty of engine power. In fact, we often held drag races between various rental cars on the long straights at road-race tracks; here I am officiating at a race between a rental Maxima and a rental Impala Limited at GingerMan Raceway in Michigan (the Limited won, as it nearly always did).

I always appreciated the AUX input jack in the Impala Limited’s radio when I rented these cars; this very useful feature was still fairly difficult to find in rental-spec cars during the middle 2010s.

The tenth-generation Impala was bigger inside than the Limited and rode more quietly, but I was disappointed when the ninth-gen cars departed rental fleets.

I haven’t documented any first-generation Impalas in junkyards, but I have photographed used-up examples of the second, third, fourth, fifth, sixth and seventh generations (including Bel Airs, Biscaynes, Caprices and other members of the Impala family).

Clinkscales Chevrolet in South Carolina had deals on ninth-gen Impalas for you!

It was a whole new animal.



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Junkyard Gem: 1982 Volkswagen Vanagon


Volkswagen began selling Transporter vans in the United States during the early 1950s, with sales continuing through three generations and through the 1991 model year. There are those who will tell you that VW Transporters are now much too sought-after by enthusiasts to ever appear in the big self-service car graveyards I frequent, but they are incorrect. We saw a second-generation Transporter in a Colorado yard last year, and now here’s a third-generation model currently residing in a South Carolina facility.

The T3 Transporter first appeared in the United States as a 1980 model, and it was badged as the Vanagon. This name was a mashup of “van” and “wagon,” which followed decades of VW stubbornly pitching its passenger vans as station wagons (to be fair, Detroit did the same thing with its passenger vans). When Toyota attempted to sell an Americanized version of the MasterAce Surf with “Van Wagon” badges here for 1984, Volkswagen’s lawyers forced them to change the name to, simply, the Toyota Van.

Gasoline-fueled Vanagons had air-cooled engines until well into 1983 (water-cooled diesels with 49 mighty horsepower were available in the Vanagon for 1982 and 1983), but we can see a radiator in the snout of this van. What’s the deal?

The build tag says it started life in Hanover, West Germany as a 1982 model with the 2.0-liter gasoline-burner, so it must have had a Wasserboxer swap later on. I saw an ’81 Vanagon with a similar swap in Colorado a few months back.

The engine was grabbed by a junkyard shopper before I arrived.

Unusually, this van has the optional automatic transmission. The water-cooled VW engines most likely to have been swapped into this van made well below 100 horsepower and the curb weight is close to 3,100 pounds, so this machine would have been very, very slow to accelerate.

Jim Hudson is still selling new cars in Columbia, though not Volkswagens these days.

It turns out that the Vanagon shares its wheel bolt pattern with that of the Mercedes-Benz W123. There’s just one of these wheels installed, but it looks cool.

It’s not rusty and the interior probably wasn’t too bad in its pre-junkyard-arrival state, but the cost to restore one of these vans can be prohibitive.

Essentially a European luxury car. You’d want to avoid hills with a diesel Vanagon and a load of seven passengers.

The Vanagon was all about performance.

The room of a van. The comfort of a station wagon. There’s a crafty dig at Detroit’s recently downsized wagons in this commercial.



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Junkyard Gem: 1997 Saab 9000 CS


With all the junkyard Saab history we’ve seen here, the Saab products born of the alliance between Trollhättan and Turin haven’t gotten their due. Shoehorned between— and among— the Triumph-engined 900 Classics and the GM-era Saabs, a Saab developed in partnership with Fiat was built. This was the 9000, and I’ve found a late-production example in a Denver boneyard.

Saab began working with the mighty Fiat Empire during the late 1970s, resulting in a rebadged and mildly Scandinavized Lancia Delta known as the Saab-Lancia 600. That car’s closest U.S.-market relative was the Fiat Strada, which lived on the same platform. The 600 didn’t sell well and disappeared without leaving much trace, but the Fiat-Saab dealings led to the development of a new platform cooked up by Saab and Lancia engineers, with Giorgetto Giugiaro in charge of the styling: the Type Four.

There were four car models built on the Type Four platform: the Lancia Thema, Fiat Croma, Alfa Romeo 164 and Saab 9000. The 9000 was the first to hit European showrooms, in 1985, and it made its North American debut as a 1986 model. We never got the Thema or Croma here, but the 164 eventually showed up in the United States as a 1991 model.

The 9000 was much roomier inside than the 900 (which was a mid-1970s design based on the late-1960s Saab 99‘s chassis), though it didn’t weigh much more.

9000 production continued through 1998, after which the Opel-related 9-5 took over. 9000 sales overlapped with the similarly GM-derived New 900, beginning with the 1994 model year.

U.S.-market 9000s were available with naturally-aspirated and turbocharged versions of the good old Saab four-cylinder, with ancestry stretching all the way back to the Triumph Dolomite. This car had the 2.3-liter turbo engine (prior to a junkyard shopper removing it), rated at 200 horsepower and 238 pound-feet. For the 1995 through 1998 model years, American car shoppers could buy a new Saab 900 or 9000 with a 3.0-liter Isuzu V6 under the hood.

This car has the base five-speed manual transmission and not the optional four-speed automatic, as is proper for a Saab. If you insisted on the slushbox in your ’97 9000 with four-cylinder power, the price tag was $1,095 ($2,140 in 2024 dollars).

The MSRP for this car was $31,695, or about $62,221 in today’s money.

It didn’t quite reach 200,000 miles during its life. I have never found a discarded Saab showing better than 300,000 miles on its odometer; the best-traveled junkyard Saab I’ve documented was a 1986 900 with 290,699 miles. Meanwhile, I have written about eight retired Volvos that surpassed the 300k mark during their careers, including a 244 with well over 600,000 miles and a 740 Turbo that got within shouting distance of 500,000 miles. Make of this what you will.

The 9000 Aero for 1997 cost nearly ten grand more than the 9000 CS.

Why drive a car when you can pilot a Saab? That Bulgarian choral sound was still pretty trendy in late-1990s Britain.



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‘Fallout’ TV show’s most interesting car hides in the background of episode 1


Update: Reporter for Hagerty confirms the actual car was used. The text has been updated to reflect this.

Amazon MGM Studios aired the first season of its new TV show “Fallout.” It’s based on the long-running video game series that takes place in an alternative universe based on 1950s ideas of futurism, with it all leading up to all-out thermonuclear war and the aftermath. So to fit the look, any scenes that take place before the nuclear war feature ’50s dress, political ideology, and, of course, automobiles. Most of the cars in the show are actual production vehicles from the time period. One of the main characters, Cooper Howard, drives a gorgeous yellow Kaiser Darrin, and there’s even a scene that showcases the car’s super cool sliding pocket doors. A Messerschmitt tandem bubble car also makes an appearance (and there are lookalikes that you can find in the game). But the most interesting and unique car shows up in the first episode, and amazingly, it’s hidden in the background of various shots.

It doesn’t take long to spot it, as it appears in the first few minutes of the show. These scenes start at a birthday party just before the bombs drop, and it’s most visible in the shot at top when Howard takes off on horseback with his daughter in search of safety. They race past a big bright red roadster of some sort, with gleaming side-exit exhaust and a rear fin reminiscent of some period race cars. That vehicle isn’t made specifically for the show. It’s the Plymouth XNR concept from 1960, and apparently it’s the real deal, as discovered by a reporter for Hagerty.

The actual 1960 Plymouth XNR concept has a heaping helping of hypnotizing history. It was designed by Virgil Exner (hence the XNR name), who worked at Pontiac, Studebaker, and most famously, Chrysler Corporation. He started at Chrysler with concept cars, and the first production cars credited to him were the “Forward Look” models that included the original C-300 that would eventually inspire the 2005 Chrysler 300

The styling is seriously wild. As we mentioned, it has asymmetric cues from race cars of the time, but amplified with the hood scoop that leads into a long rising cowl. The exhaust only comes out on the driver side, and then the rear has a sort of chrome star tying the rear fin in with the pseudo bumper. The radical looking fenders also appeared on the original 1960 Valiant, which was quickly placed under the Plymouth brand, with Dodge getting its own version called Lancer. The XNR even uses the Valiant’s chassis according to Motor Trend (which has an excellent, detailed look at the car from the sadly defunct Motor Trend Classic magazine).

On top of the wild looks from designer royalty, the XNR was actually a fully functional car. It had a 170-cubic-inch (or about 2.8L in metric displacement) 250-horsepower inline-six with a three-speed manual transmission and rear-wheel drive. And while it looks as though it only has a driver seat, there is a passenger seat hidden under a removable body panel. It also featured independent front suspension with torsion springs and a live rear axle with leaf springs. Those rear leaf springs were even tidily fit to the curve of the rear body (or probably more likely, the body fit to the springs)

When Chrysler was done with the car, it began a wild journey, first going to Italy and Carrozzeria Ghia, the company that built the body. It eventually went to multiple other owners, including at one point the Shah of Iran. It was eventually found by Karim Edde, who discovered it in Lebanon in the ’80s and had to move it about to keep it safe as civil war broke out. It was then restored by RM Restorations, part of what’s now the RM Sotheby’s auction house, in the late 2000s. Following its restoration, it was shown at Pebble Beach in 2011 where it won the Gran Turismo award, which meant it was added as a drivable car in the video game series including the latest “Gran Turismo 7.” It’s actually quite fun to drive, especially with the high-revving engine. The game shows redline as being just shy of 8,000 rpm.

And that brings us to today, where the car has appeared in “Fallout.” When we first wrote this, we tried to get some info about whether the car involved was the actual XNR, or a replica made by by Gotham Garage, the custom car shop featured in Netflix’s “Car Masters: Rust to Riches.” That replica is now at the Petersen Museum in Los Angeles, and the PR contact for the museum confirmed the replica wasn’t used. HotCars reported that Gotham Garage was looking at building another replica a while back, which added another possible car to the mix. We also reached out to Amazon for details but never got a reply. But a friend and reporter for Hagerty found a contact that could confirm the actual car was used.

So now, on top of an already fascinating existence, the XNR gets to add TV star to its resume. Pretty sweet if you ask us.



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Ferrari 12Cilindri Deep Dive Preview: No electric here, just pure V12 beauty


MARANELLO, Italy – Bentley built its final W12 in April, an engine VW Group introduced in 2001. Mercedes and BMW already bid auf wiedersehen to 12 cylinders. But Ferrari is Ferrari. Defying trends and regulators, the company has created a radically reimagined GT whose name rivals “LaFerrari” for on-the-nose intent: The 12Cilindri.

The new Ferrari 12Cilindri was just officially revealed in Miami, but I got a deep-dive viewing two weeks ago at the company’s sleek Centro Stile (“design center”) in Maranello.

With all respect to the 812 Superfast, the breathtaking, Delta-themed 12Cilindri crumples and tosses its predecessor’s evolutionary design. For years now, Ferrari’s classic front-engine GTs have been overshadowed by its mid-engine V8 supercars, and now the brilliant six-cylinder 296 GTB hybrid. So extending the life of Ferrari’s hallowed V12 is a good thing, but only if the GT it powers gets some love and attention as well.

Talk about an attention-getter. Even as it nods to Ferrari’s past — including a visor-like hood band that’s a cheeky callback to the 365 GTB4 Daytona — the 12Cilindri’s winning modernity seems a career mic drop (so far) for design chief Flavio Manzoni.

 

Fans of ICE-fueled overabundance will give thanks to 12 apostles, seated for supper in red-haloed rows, below the Ferrari’s DaVinci-spec hood. Those cylinders will deliver a decidedly unholy 819 horsepower, up from 788 in the 812 Superfast, and matching the track-focused 812 Competizione. Ferrari pegs 0-62-mph (100 km/h) acceleration in 2.9 seconds, a 7.9-second rip to 124 mph, and a top speed beyond 211 mph.

The Ferrari V12 that started it all was Gioacchino Columbo’s controversial 1.5-liter design, whose 1946 blueprints are preserved in Maranello. Critics scoffed that the tiny displacement was better suited to a four-cylinder. Italian racer Franco Cortese recalled a general consensus on Enzo: “He’s a nutcase. It will eat his money and finish him.”

Instead, Enzo’s one-off 125 C (and a single 125 S) rolled from the factory gate and into history in 1947. That 125 C conked out with fuel-pump problems while leading its first race, which Enzo dubbed “a promising failure.” The snub-nosed red barchetta won six of its next 13 races — though not the Mille Miglia — making 100 horsepower from its 60-degree V12. Ferrari wouldn’t build a road car without a front-engine V12 for 20 years, until the mid-mounted V6 Dino 206 in 1967. So Ferrari’s 12-cylinder loyalty is only natural, including in the naturally-aspirated Purosangue SUV.

Eight decades of growth have lifted displacement to a big-blocky 6.5 liters, with the aforementioned 819 horses and 500 pound-feet of torque. I’m already dreaming of a test drive when Manzoni lifts the largest hood ever fitted to a Ferrari: a single hunk of hot-formed aluminum long enough to make a Viper blush. The front-hinged clamshell eliminates cutlines around the hood, in a car inspired as much by aeronautics as automobiles. Say arrevederci to a traditional grille. Headlamps are integrated into the wraparound “Daytona” band, with blade-like daytime running lights. A pair of asymmetric hood vents are the only visual break in the fluid form. Sexy, swelling front and rear fenders are connected by a subtle update of Ferrari’s familiar semi-circular indent line.

Again dispensing with nostalgia, Manzoni and Co. went for high, functional drama out back: A sweeping rear window and carbon-fiber roof nod to an aeronautic flybridge. And rather than a traditional rear spoiler, that rear window melds into a pair of moveable, batwing-like flaps at each corner. The electric winglets can lift up to 30 degrees to boost downforce, but won’t move independently. (Ferrari engineers say the weight and complexity of a dual-motor system weren’t justified by aero gains). An aggressive rear diffuser juts like a lineman’s facemask, the one area where function arguably intrudes on an otherwise-elegant form.

 

The window and, um, “batflaps” form the car’s signature Delta shape, with the greenhouse surface in contrasting body color. A gem-like lighting blade (with no round taillamps, scusi) wraps a concave rear. Viewed from behind, the 12Cilindri appears to be a double-wide supercar fantasy: Owners had better prepare to be chased by Insta-snapping fans. 

Ferrari unveiled the coupe in a coat of gray-white “Bianco Artico” paint, which seemed hard to top — until we traipsed into its Atelier (where customers choose leathers and other options) for a gander at the 12Cilindri Spider. The convertible was shown in “Verde Toscana,” a spring awakening of green-gray that flattered every line. As in the 296 GTS, the space-saving retractable hardtop opens or closes in 14 seconds at speeds up to 28 mph.

 

Like the Roma and Purosangue, the 12Cilindri adopts a dual-cockpit design that wraps driver and passenger in beautiful, near-symmetric binnacles. A physical Manettino driving-mode selector patrols the racy flat-bottom steering wheel, unfortunately with the capacitive Start/Stop switch of other recent models, rather than an analog button.

There’s also a digital screen for the passenger to noodle with. But the stop-the-presses news is a third digital display: A 10.3-inch center screen tucked below the artistic dash, whose infuriating absence on Purosangue and 296 models left drivers thumbing through an overtaxed (and distracting) driver’s display for every last function. Ferrari executives refused to bite on suggestions that multilingual cursing and complaints from owners may have sparked this change-of-heart. But we’ll go out on a limb and say that even the most coordinated driver doesn’t want a fussy steering-wheel slider to scroll Spotify or adjust navigation maps.

 

Press that haptic Start switch, however, and the V12 will remind you of Ferrari’s reason for being. Ferrari cues up a recording of the engine scaling to 9,500 rpm like a runamok Pavarotti, ripping through downshifts with murderous glee. Nessun Dorma indeed — or “None Shall Sleep” — because the wake-the-dead wail of a Ferrari V12 will be talked about, mourned and ultimately preserved by collectors into the next century. They’ll just need to preserve some unleaded as well.

An all-new exhaust system, including equal-length runners for the 6-into-1 manifolds, also flatters the “noble combustion orders” of the 12-cylinder mill.

As on the 812 Competizione, the dry-sump engine’s reciprocating parts are 40% lighter. Titanium connecting rods and a new aluminum alloy for pistons trim more weight. Sliding finger followers for the valvetrain mimic Ferrari’s F1 cars, and diamond-like carbon (DLC) surface coatings reduce friction.

Ferrari’s spectacular eight-speed, dual-clutch gearbox should deliver palpable gains, versus a seven-speed on all 812 models. First seen on the SF90 Stradale, that F1 transmission brings 15% shorter gearing and 8% speedier shifts. That should solve the 812’s tendency to run out of oomph in its tall third and fourth gears. Relatively speaking: When I’ve run through gears in an 812, with up to 819 horses, I tend to focus on a shortage of runway and brains, not power. 

Here, Ferrari claims a first for its naturally aspirated engines: a patented software solution that helped sculpt a sturdier torque curve in third and fourth gears. Company engineers were a bit vague about how it works, but said their “Aspirated Torque Shaping” boosts the sensation of maximum torque and unbroken momentum. Add up the changes, and Ferrari cites a 12% jump in torque at the rear wheels versus previous V12 berlinettas.

Chassis torsional stiffness grows by 15%, with an adjustable MagneRide suspension and 21-inch forged wheels all around. Engineers say suspension turning roughly splits the difference between an 812 and the hardcore Competizione. Owners choose between Michelin Pilot Sport S5 or Goodyear Eagle F1 Supersport tires. (Are you kidding? Take the Michelins). Active air flaps work with five underbody vortex generators to channel and extract air. Shock towers integrate recycled aluminum for the first time to trim CO2 emissions during casting.

The biggest gain here appears to be a wheelbase that’s shortened by 0.8 inches. That’s not much on paper, until you add rear-wheel steering. By tightening the turning radius, the feature virtually shortens the wheelbase by another 1.2 inches. Ferrari engineers say the total 2.0-inch reduction helps create a decisively more-agile GT.

To halt a big-bodied Ferrari with a claimed dry weight of 3,432 pounds, the 12Cilindri adopts an impressive brake-by-wire system from the 296 GTB, the shortest-stopping car in the Cavallino stable. Engineers say the 12Cilindri brakes from 62-0 mph in 107 feet, with “6D multi-axis sensing” allowing each wheel to brake independently. Side Slip Control, the big brain behind the company’s otherworldly traction and stability systems, is now in its eighth iteration.

All this and more, for €395,000 to start in Italy; or closer to €435,000 for the 12Cilindri Spider that’s set to follow in early 2025. U.S. pricing has not been set. But if you have to ask …

Between the coupe, Spider and Purosangue for garden-center runs, Ferrari will have three V12 models. Executives said that’s the culmination of a decision made four years ago to continue investing in ICE powertrains, including for loyal customers who still clamored for a V12.

“It is not up to us to impose technology,” said Enrico Galliera, chief marketing and commercial officer.

Even now, Galliera said, Ferrari “will not have the arrogance” to say these are their final, ultimate, no-foolin’ V12 models, even as the company readies a new building in Maranello (set to open in June) to house its fast-growing electric operations.

As for the 12Cilindri name, Gianmaria Fulgenzi, chief development officer, called it a “declaration of love.” Executives joked they’ll offer training sessions to help folks pronounce it correctly. For the record, it’s “DOH-di-chee Chill-IN-dree.” Or, you could just whistle.



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